Ayo Edebiri arrived at a taping of The View in Chanel, wearing a look from Matthieu Blazy’s Métiers d’art 2026 show in New York. The outfit paired a midi skirt with an inverted cityscape print and a glittering skyline hem with a humble quarter-zip sweater worn half-done over a white tee.
She finished the look with silver pointy-toe pumps, a white East-West shoulder bag and sporty wrap sunglasses. The choice fit a pattern for Edebiri and stylist Danielle Goldberg, who have leaned into high-low styling before, balancing dressed-up pieces with clothes that feel pulled from daily life.
The runway version of the look came from a show staged on a subway platform, which gave the skirt’s city lights and the outfit’s easy layers a point of connection. Edebiri has worn the formula before: in September, she paired a white long-sleeve with navy shorts, pointy-toe pumps, a draped sweater and a ladylike bag, and in February 2024 she dressed up a white button-up and jeans with Tiffany & Co. jewelry and silver metallic heels.
That is what makes the appearance work. The Chanel pieces are not being worn as costume or museum fashion; they are being pushed into the same space as a tee, a quarter-zip and a shoulder bag, which turns a formal runway look into something that reads as deliberate and current. Today’s taping gave the outfit a public stage, and the styling made the point plain: Edebiri and Goldberg are using luxury to sharpen everyday dress, not separate from it.
