Hayley Williams announced dates on Thursday for The Hayley Williams Show — Live in the Americas, a fall tour that will start in the U.S. in early September and run through mid-October before moving to Latin America for the rest of October. The run will draw from all three of Williams’s solo albums and, in her words, include “exciting surprises.”
The newly announced dates add stops in Boston, Atlanta, Palm Beach, Charlotte, Detroit, New Orleans, Houston, Seattle, San Diego and Raleigh, with tickets going on sale May 14 at 10 a.m. local time. Registration for the HW HQ presale opens at 3 p.m. ET on May 7.
The tour expands a busy year for Williams, who is currently playing theaters with a setlist that has centered on 20 songs from Ego Death at a Bachelorette Party, plus a Nina Simone cover most nights. The fall shows broaden that approach, promising material from across her solo catalog rather than focusing on one record.
Demand has already been strong. Two U.S. two-night stands announced earlier at New York’s Forest Hills Stadium and Los Angeles’ Hollywood Bowl sold out immediately, a sign that the fall routing arrives with built-in interest rather than an open question about audience response.
Ticketing for the U.S. dates will use Ticketmaster’s Face Value Exchange, which Williams said is meant “to ensure tickets reach genuine fans.” In practice, that means U.S. tickets are non-transferable and can only be resold on Ticketmaster at face value, except in Illinois and New York, where state laws prevent resale restrictions. Ticketmaster will still keep resale prices at face value on its site in those states.
Magdalena Bay and Rico Nasty will open the U.S. shows, while Annie DiRusso will support the Latin America and Puerto Rico dates. Williams’s 2026 calendar also includes May 7 and May 9 at Fox Theater in Oakland, California; May 12 and May 13 at The Wiltern in Los Angeles; June 5 at Alcatraz in Milan, Italy; June 8 at Paradiso in Amsterdam, Netherlands; and June 15 at Tempodrome in Berlin, Germany.
The immediate sellouts, the broad rollout across the Americas and the face-value resale setup point to a tour built for speed as much as scale. For Williams, the next test is simple: whether the fall shows can match the scramble to get in before the tickets are gone.
